Northside Jazz Festival · Print · sample engagement

A poster system, not a poster

Legible at 22m · sponsor sign-off 4 rounds → 1 · 80% reusable

The brief

The Northside Jazz Festival is twelve years old, and every year a different volunteer designs the poster from scratch — no continuity, improvised sponsor lockups, and a name you couldn’t read from the curb.

The brief: a poster system, not a poster — fixed zones, a two-color risograph community run, a contract-fixed sponsor zone, and swappable headliner art.

Success meant a passed street-legibility test, happier sponsors, and assets that survive to next year.

Constraints: Works at A3 / A1 / digital · two-color risograph for the community run · sponsor zone fixed by contract · new headliner art swaps yearly.

How it was made

  1. 1 · Discovery
  2. 2 · Strategy
  3. 3 · Concept
  4. 4 · Design
  5. 5 · Production
  6. 6 · Results — how we measured
  1. Discovery

    Twelve years produced twelve unrelated posters: no continuity, sponsor lockups improvised into contract breaches, and a headliner name illegible at fifteen meters. The fix was never a better poster — it was a system any volunteer could run next year.

    Audit of twelve mismatched past posters with a failed 15-meter legibility note
    Poster archive audit + legibility test.
  2. Strategy

    Design a system, not a poster: fixed zones for the mark and year, swappable headliner art, dates, and a contract-fixed sponsor zone. Type set huge for fifteen-meter legibility, two-color riso for the community run, one template across sizes. Gate ① signed.

    Template zone map and system rules placing the sponsor zone under contract lock
    Template zones + system rules.
  3. Concept

    Three template directions: a big type stack, a photo hero, a pattern field. The photo hero needed a great new image every year — the exact failure mode; the pattern drowned the contractual sponsor logos. The type stack reads at fifteen meters and never needs photography. It won.

    Three template directions with photo-hero and pattern-field options crossed out and rationale noted
    Three directions — rejections preserved.
  4. Design

    A type scale tuned for distance reading, the two-color riso palette plus a full-color digital variant, a locked sponsor grid, and headliner-and-year swap slots. One template, three outputs — A3, A1, and a digital banner.

    System sheet showing the type scale, riso and full-color colorways, and the three output sizes
    Type scale, colorways, size set.
  5. Production

    Two-color riso separations — a blue plate and a red plate that overprint to the finished poster — A3, A1, and digital-banner outputs, a sponsor-zone dieline, and an editable template so next year’s volunteer swaps only the headliner art.

    Riso blue and red separations overprinting to the final poster, beside the template handoff spec
    Riso separations + template handoff.
  6. Results — how we measured

    Tested on the street and against the template inventory: legible at twenty-two meters past the fifteen-meter target, sponsor sign-off in one round instead of four, and eighty percent of assets reusable next year. Demonstrative; cards below.

    Results instrument showing 22-meter legibility, one sponsor round, and 80 percent reuse
    Results instrument (demonstrative).

The deliverable, live

This is the working deliverable itself — not a mockup of it.

Open full screen ↗

Results demonstrative data

  • 22mlegibility (target: 15m)
  • 1sponsor sign-off round (from 4)
  • 80%assets reusable next year
  • 2-colorriso, community-press ready

“For the first time the poster looked like last year’s and next year’s. Our sponsors signed off in one email, and the volunteer just swaps the headliner now.”

Organizer persona, Northside Jazz Festival — demonstration quote